Zimmermann
EN 2322
Everyman and Freytag’s Pyramid
Gustav
Freytag concluded that five act tragedies follow a specific structure. If blindly followed, structuralist
theories force patterns on literature, discarding variations. They limit literature, forcing it into models
that are static and prescriptive.
Nevertheless, such structures often provide a way of approaching parts
of piece of literature, disassembling it for analysis.
Freytag’s Pyramid
- Inciting Moment: the event that sets the action of the play into
movement.
- Exposition: the introduction material that creates the tone,
gives the setting, introduces the characters.
- Rising Action (Complication):The opposing
groups come into opposition. The
hero is usually gaining power.
- Climax (Crisis): the turning point of the action. It is the
moment at which the rising action turns and becomes the falling action.
- Reversal: The change in fortune of the protagonist.
- Falling Action: The failing fortunes of the hero following the climax
of a tragedy.
- Catastrophe: The conclusion of a play, a tragedy. It ends the conflict of the play. The actions of the climax are
resolved.
- Moment of Last Suspense
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Morality plays deliver sermons on a single moral
issue in the form of a narrative, a drama; they are typically allegories—a
narrative presenting abstractions in the form of characters and places. In this sense, the plays were homiletic,
serving as a form of religious instruction.
They gained popularity in the 14th century and remained so,
until Puritans began banning dramas.
- Humor in the play is
developed through dramatic irony—the
audience already knows and sees what Everyman fails to understand. The humor makes the audience less
resistant to the message of the play and engenders sympathy for the main
character and his struggles.
- Avarice is condemned. His goods are hoarded; he is not
criticized for spending money.
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Everyman
Some
scholars have argued that Everyman is
an inverted or reversed tragedy. Track the events of the play to prove that the
Freytag’s Pyramid is inverted in the play.
- What is the sermon? What is the moral issue on which the
play is based?